“Marshall”, directed by Reginald Hudlin, centers itself on courtroom drama for its own sake, a presentation technique for many social and political issues in independent film (as I recall from one particular meeting with an actor in Boston in 2002).
Then, the film is also a partial biography of Thurgood Marshall (Chadwick Boseman), who would become the first African-American justice of the Supreme Court in 1967.
This film focuses on a critical case early in Marshall’s career, as he established a reputation helping young black men otherwise wrongfully convicted. After moving to New York in 1940, he takes a case in Bridgeport, CT, where a young black chauffeur Joseph Spell (Sterling K. Brown) is accused of raping his boss’s wife (Eleanor Strubing, played by Kate Hudson) and throwing her off a bridge. As the defense starts to unravel in typical courtroom fashion, Thurman concludes that the sex was consensual and could have resulted in a mixed-race baby, and that Eleanor was trying to hide this from her autocratic husband.
Marshall teams up with a former insurance lawyer Sam Friedman (Josh Gad), who has to deal with his own stereotypes of the day as a Jew.
The film contains a backdrop of FDR’s radio broadcasts of the early days of World War II, when the country had to come together, despite its racially segregated military (which Truman would fix in 1948).
The conclusion also does some interesting stuff with the problem of plea bargaining for an innocent but prejudice-baited client.
The film was actually shot around Buffalo, NY.
The original premier by Open Road films was canceled because of coincidence with the Las Vegas shootings (story).
Wikipedia picture of Bridgeport bridge in 1850.
Wikipedia picture of Buffalo, WWII era.
|Director, writer:||Reginald Hudlin|
|When and how viewed:||Regal Potomac Yards, 2017/12/3, evening, small audience|
(Posted: Sunday, December 3, 2017. At 11 PM EST)