Is “The Glass Castle” a film about rebellion and living outside the system (and trying to get your kids to do so) and almost off the grid, or is it about the moral politics of poverty, especially for less well-off whites in southern West Virginia – specifically near Welch, very much in Trump’s coal country.
The dramedy, overlong at 127 minutes, directed by Dustin Daniel Cretton and somewhat freely adapted from the memoir of Jeannette Walls (not quite a “manifesto”), tells its story in two time layers.
In 1989, the young adult Jeannette (Brie Larsen) has escaped into the good life in NYC as a reporter and gossip columnist with a Wall Street fiancée David (Max Greenfield). When her alcoholic, derelict dad Rex (Woody Harrelson) barges back into her life, the movie goes mostly into flashback mode. We learn that at 3, Jeannette was left to cook on a gas stove and was scarred for life from the resulting fire, although it gets covered by clothes (something a fiancée would have to deal with).
Most of the narrative concerns Rex’s taking the family to a ramshackle clapboard house near Welch, and promising to build his fantasy “Glass Castle” with solar panels. In the meantime, the family goes hungry. Mom, Rose Mary (Naomi Watts) does her thing as a painter. She thinks there will be little competition in coal country. The kids turn out all right. Brian becomes a police officer but looks pretty sharp in the film (Josh Caras, from “Bugcrush”).
People in that part of the world, in the mountain hollows, are quite self-reliant, as they demonstrated after the 2016 floods. They hardly used the volunteers churches tried to sent them.
The film does some travel in the desert and in New Mexico (the early road-movie scenes) but it doesn’t take advantage of a chance to mention the mountaintop removal in the area.
The Washington Post ran an article in the Outlook Section P. 2 today by Stephen Pimpare that talks aout this film a lot. The print title is “What movies tell us about poverty.” Online the title is more challenging, “Where do we learn that poverty is shameful and dangerous? At the movies.” This film echoes that view. You don’t want to walk in their shoes unless you’re coerced to.
Jeffrey Tucker of FEE reviews the film in an article, “Does Society Have Room for Brilliant Eccentrics?” Well, Rex is irresponsible enough that Jeannette tells him she never wants to see him again (that’s much worse than being blocked in today’s social media) but she does go back to West Virginia for his deathbed.
|Name:||“The Glass Castle”|
|Director, writer:||Dustin Daniel Cretton, Jeanette Walls|
|When and how viewed:||Regal Ballston Quarter, 2017/8/27 fair crowd|
(Posted: Sunday, Aug, 27, 2017 at 10:30 PM EDT)