|Director, writer:||Nancy Meyers|
|When and how viewed:||Netflix DVD|
|Companies:||Warner Brothers, Dune-Ratpac|
“The Intern”, written and directed by Nancy Meyers, opens with 70-year-old Ben Whittaker (Robert De Niro) appraising himself in a ritzy New York apartment and explaining what it feels like to live as a retired widower, having already seen the world and finished his bucket list. He keeps his suits and ties in immaculate order, as well as his NYC coop (in contrast to me). He needs something to do, involving real people.
He finds an e-commerce fashion firm in Brooklyn, “About the Fit” (a little snazzier than the real life “Bindle and Keep”, July 29), which has an “outreach” to senior citizens by letting them “intern”.
He goes through the interviews and demonstrates his “people skills”, especially when the youngest manager, Justin (Nat Woff) asks him what he wants to be doing in ten years and then apologetically withdraws the cookie-cutter question. Other young managers include Jason (Adam Devine, the “Man-o-Lantern 2”).
But most of the film revolves around his working with CDO Jules Olsen (Anne Hathaway). He own husband (Anders Holm) had become a stay-at-home dad to give her time to grow the film, but her personal life is creating enough noise that Wall Street wants her to step down from the startup. She’s inclined to do so to save her marriage. In the meantime, Whittake has developed a romance with massage therapist Fiona (Rene Russo). In one sequence, he participates in a fake home breakin to save Jules from an embarrassing email on her own computer (remind you of Hillary Clinton’s server scandal?)
The film is stronger as it starts than as it follows through its 121 minutes. There’s a real question of whether you need to join with other people in a bureaucratic environment to accomplish things. There are real issues of keeping up appearances.
The film should be viewed in light of Ross Perlin’s 2011 book “Intern Nation”.
(Published: Monday, Aug. 1, 2016, at 3:15 PM EDT)