“Justice League”: in the DC Extended Universe, angels can be retroceded

Justice League”, the latest DC Comics movie, directed by Zach Snyder (who wrote the story with Chris Terrio) reunites the super-heroes of the DC Comics world, to repel what is a complicated alien invasion based on the “mother boxes”.

The details of the “DC Extended Universe” (DCEU) need not be resummarized here, as it is already covered in great detail on many other sites, as well as Wikipedia. But what strikes me is that the superheroes more or less correspond to the Christian idea of angels, who are supposed to be immortal, maybe.

Nevertheless, the film begins with a headline that Superman is dead. A superhero can at least be retroceded, perhaps, or maybe lose his or her “powers” and become mortal because of some moral or ritualistic failure. Superman (Henry Cavill) is resurrected, starting with exhuming his body (where as Jesus simply disappeared from the tomb)   At first he doesn’t remember who he is, but Lois Lane (Amy Adams) helps him recover.  Cavill gives a very different look to Superman, hairy chest and all, than did a younger Tom Welling in ten years of “Smallville”.

I guess the chief heroes are Batman, Bruce Wayne (Ben Affleck) and Wonder Woman (Dianna Primce, Gal Gadot).  Ezra Miller plays Barry Allen, The Flash, and manages to make him look and act a bit like Marvel’s Spider Man.  He has an odd line about blood sugar suggesting diabetes.  In a late scene, he runs a sprint race with Superman, that reminds me of the “Timo v. Richard Harmon” race in 2012.  Neither of the later two actors has appeared in a comics movie (yet) as far as I know, but Harmon is nurturing his own horror project, “Crypto”, which I’ll be covering here in due course. Descamps has a sci-fi project called “Floating” that I’d love to see go somewhere.

In the second half of Justice League, the enemies attack the remains of the nuclear power plant, which logically would be Chernobyl in the Ukraine.  But the script says the facility is in “northern Russia”. The special effects with the sarcophagus get quite impressive. There are rumors about Russian facilities in northwestern Russia, around Lake Ladoga, which Finland and the Baltic states are quite nervous about. I wonder if the movie intended to suggest that Putin is the “alien enemy”.   The film does an impressive set of a Russian village and of the living standards therein.  Later, the movie moves us back to Kansas and Smallville.

The film was shot in regular 1.85:1 aspect ratio, which may make IMAX and DVD transfer easier.

Picture: Flint Hills, Kansas, my picture, 2006

Chernobyl sarcophagus, Wiki.

Lake Ladoga, wiki.

Name:  “Justice League”
Director, writer:  Zach Snyder
Released:  2017/11/17
Format:  1.85:1 Imax 3D
When and how viewed:  Regal Ballston Quarter, 2017/11/27, small auditorium, daytime, small audience
Length:  120
Rating:  PG-13
Companies:  Warner Brothers, Ratpac, DC Comics
Link:  official 

(Posted: Monday, Nov. 27, 2017 at 8:45 PM EST)

“Wonder Woman: Rise of the Warrior”: who needs (cis, virile, manly) men anymore?

Patty Jenkins gave a passionate interview on, as I recall, ABC’s “Good Morning America” to explain her new DC Comics action film, “Wonder Woman: Rise of the Warrior”, from Warner Brothers.  She wanted to show a female heroine who was the equivalent of a Christ figure (my analogy), not “just” a Virgin Mary.

Indeed, the Amazonian society shown in the early 20th Century as the film starts seems to be all female (parthogenesis, perhaps), that doesn’t need men. The future wonder woman Diana (Lilly Aspell, then Gal Gadot as an adult) grows up as a warrior.  It looks like it came right out of the Burroughs Tarzan series, with women warriors.

There is some pagan mythology here.  Diana’s mother Hippolyta (Connie Nielsen) wants to protect her daughter, who is determined to become a hero worthy of a future Star Wars. The overlord god Zeus loved mankind, but Ares considered man corrupt and let man play “survival of the fittest tribe” with increasingly destructive wars.  Finally, Antilope (Robin Wright) convinces Hippolyta that daughter Diana can become the comic world equivalent of a Navy Seal. (I recall Hippolyta as a name in high school.  A high school friend once mailed me a huge post card of little tunes and signed it Hippolyta.  I wonder if the card is somewhere in the attic.)

The story starts moving when  Diana rescues a British spy Steve Trevor (Chris Pine) from drowning. There’s a little skin shown here, and it looks like the encounter with her  laser-emanating “lasso of truth” costs Steve his chest hair.  Steve educates her about World War I, the War to End All Wars, or The Great War.

The remainder of the plot seems to deal with a desire of the British (David Thewlis) to make an armistice with Germany to stop the war, while a villain (Elena Anaya), with a mask to cover a burn-scarred face that would scare off crows and inspire Hannibal Lecter, concocts an unprecedented deadly poison gas that dissolves everything.

So here we have alternative fact history.  Wonder Woman and Steve’s interventions keep the Allies together until the Americans enter (although nobody gets into the politics of Woodrow Wilson, the draf, and his sedition laws) and in the end, England celebrates victory, only to brace for battles to come in two more decades, needing a wonder gay man (Alan Turing) to save them with “brains over brawn” (like “The Most Dangerous Game”)

This film has been popular in the gay community the week before Capital Pride.

Generally, I’m not as interested in the alternative comic book world presenting history as the real history itself.

The symphonic poem during the closing credits by Rupert Gregson-Williams was interesting.

Name:  “Wonder World: Rise of the Warrior”
Director, writer:  Patty Jenkins
Released:  2017
Format:  2.35:1, 3-D, Imax
When and how viewed:  AMC Courthouse Plaza, Arlington,, 2017/6/8, late, moderate audience
Length:  141
Rating:  PG-13
Companies:  Warner Brothers, DC Comics
Link:  official

(Posted: Friday, June 9, 2017 at 2:45 PM)